Comments for Eponanonymous

Comment on Luis Jacob, “Albums”, and Ryan Gander’s Artforum project by An Album of Ideas | SIP

An Album of Ideas | SIP — Thu, 30 Jun 2011 06:54:30 +0000

[...] ***This text first appeared on Epanonymous, December 2010. [...]

Comment on Luis Jacob, “Albums”, and Ryan Gander’s Artforum project by The SIP » An Album of Ideas

The SIP » An Album of Ideas — Wed, 05 Jan 2011 06:45:59 +0000

[...] ***This text first appeared on Epanonymous, December 2010. [...]

Comment on Luis Jacob, “Albums”, and Ryan Gander’s Artforum project by Nicholas Knight

Nicholas Knight — Sat, 04 Dec 2010 16:01:10 +0000

This is difficult to keep brief. A lot more wants to be said about the rough sketch of ideas in this post. But for the moment, I leave it unsaid.

Comment on Nicholas Knight: Between Nothing and “Nothing” by Nicholas Knight

Nicholas Knight — Mon, 18 Oct 2010 23:02:10 +0000

This text will be published in the catalog for Double Bind / Stop Trying To Understand Me!, produced in conjunction with the exhibition of the same title, which took place at the Centre Nationale d’Art Contemporain at Villa Arson, in Nice, France, from February - May 2010. The exhibition was curated by Sebastien Pluot, Dean Inkster, and Eric Mangion. My thanks go to all three of them. Thanks also to Claire Bernstein for her editorial acumen in preparing the final version.

Comment on Nicholas Knight, “Taking Pictures” at Steven Wolf Fine Arts, San Francisco by CatSynth » First Thursday October 2009

CatSynth » First Thursday October 2009 — Wed, 15 Sep 2010 22:19:33 +0000

[...] the 2008 Switchboard Music Festival. I then noticed the main visual exhibition Taking Pictures by Nicholas Knight. In these photos, Knight captures gallery viewers in the act of taking photographs of art, [...]

Comment on artfever by swfa

swfa — Wed, 07 Apr 2010 04:10:22 +0000

[...] SWF. … Post a comment or leave a trackback: Trackback URL. Efflex SWC available for download …Eponanonymous artfeverBob Callaway, bravely enduring an unshakable artfever, comments on the SWFA show here. … Post a [...]

Comment on Matt Keegan: Any Day Now at D’Amelio Terras by amelio

amelio — Tue, 30 Mar 2010 00:35:31 +0000

[...] car and sped off. His daughter called the police and said he was drunk. She gave them her name, herEponanonymous Matt Keegan: Any Day Now at D’Amelio TerrasFirst is the creation of a rich discursive space that offers many points of entry. Second … In his [...]

Comment on Crucible of the Irreducible by irreducible

irreducible — Mon, 29 Mar 2010 23:19:00 +0000

[...] generate irreducible cubic polynomials one after another by changing a certain parameter in F(p) …Eponanonymous Crucible of the IrreducibleCrucible of the Irreducible. If the mechanisms of mediation are ever-present and insist on imposing [...]

Comment on Leslie Hewitt, “On Beauty, Objects, and Dissonance”, at the Kitchen by Nicholas Knight

Nicholas Knight — Sun, 28 Mar 2010 16:32:29 +0000

But if I were to focus more on the strategies themselves, I would discuss the shallow space of the photographs, and how it joins literary and pictorial distance; how that shallow lean is dramatized in the chunky leaning frames; how the prints themselves are sitting in the frames and not floating, at a depth unequal to the overall depth of the frame itself; how the floors in “Riffs on Real Time” are a wonderfully allusive and indexical element, bearing the scars of their heavy wear; how the prints in “A Series of Projections” present a cinematic experience that confuses time and space in a wonderful way; et cetera.

Comment on Leslie Hewitt, “On Beauty, Objects, and Dissonance”, at the Kitchen by Nicholas Knight

Nicholas Knight — Sun, 28 Mar 2010 16:26:57 +0000

I’m referring in particular here to two bodies of work in the show, the “Midday” series (illustrated above) and the “Riffs on Real Time” series. These comments apply to the film installation, too, but the opacity of the imagery in the film blunts the effectiveness of its referentiality.